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INAUGURATION 2029

Marie: I don't know why this video came up on my YouTube recommendations, but it did. I watched it on a large-ish teevee, and I found it fascinating. ~~~

 

Hubris. One would think that a married man smart enough to start up and operate his own tech company was also smart enough to know that you don't take your girlfriend to a public concert where the equipment includes a jumbotron -- unless you want to get caught on the big camera with your arms around said girlfriend. Ah, but for Andy Bryon, CEO of A company called Astronomer, and also maybe his wife, Wednesday was a night that will live in infamy. New York Times link. ~~~

Commencement ceremonies are joyous occasions, and Steve Carell made sure that was true this past weekend (mid-June) at Northwestern's commencement:

~~~ Carell's entire commencement speech was hilarious. The audio and video here isn't great, but I laughed till I cried.

CNN did a live telecast Saturday night (June 7) of the Broadway play "Good Night, and Good Luck," written by George Clooney and Grant Heslov, about legendary newsman Edward R. Murrow's effort to hold to account Sen. Joe McCarthy, "the junior senator from Wisconsin." Clooney plays Murrow. Here's Murrow himself with his famous take on McCarthy & McCarthyism, brief remarks that especially resonate today: ~~~

     ~~~ This article lists ways you still can watch the play. 

New York Times: “The New York Times Company has agreed to license its editorial content to Amazon for use in the tech giant’s artificial intelligence platforms, the company said on Thursday. The multiyear agreement 'will bring Times editorial content to a variety of Amazon customer experiences,' the news organization said in a statement. Besides news articles, the agreement encompasses material from NYT Cooking, The Times’s food and recipe site, and The Athletic, which focuses on sports. This is The Times’s first licensing arrangement with a focus on generative A.I. technology. In 2023, The Times sued OpenAI and its partner, Microsoft, for copyright infringement, accusing the tech companies of using millions of articles published by The Times to train automated chatbots without any kind of compensation. OpenAI and Microsoft have rejected those accusations.” ~~~

     ~~~ Marie: I have no idea what this means for "the Amazon customer experience." Does it mean that if I don't have a NYT subscription but do have Amazon Prime I can read NYT content? And where, exactly, would I find that content? I don't know. I don't know.

Washington Post reporters asked three AI image generators what a beautiful woman looks like. "The Post found that they steer users toward a startlingly narrow vision of attractiveness. Prompted to show a 'beautiful woman,' all three tools generated thin women, without exception.... Her body looks like Barbie — slim hips, impossible waist, round breasts.... Just 2 percent of the images showed visible signs of aging. More than a third of the images had medium skin tones. But only nine percent had dark skin tones. Asked to show 'normal women,' the tools produced images that remained overwhelmingly thin.... However bias originates, The Post’s analysis found that popular image tools struggle to render realistic images of women outside the Western ideal." ~~~

     ~~~ Marie: The reporters seem to think they are calling out the AI programs for being unrealistic. But there's a lot about the "beautiful women" images they miss. I find these omissions remarkably sexist. For one thing, the reporters seem to think AI is a magical "thing" that self-generates. It isn't. It's programmed. It's programmed by boys, many of them incels who have little or no experience or insights beyond comic books and Internet porn of how to gauge female "beauty." As a result, the AI-generated women look like cartoons; that is, a lot like an air-brushed photo of Kristi Noem: globs of every kind of dark eye makeup, Scandinavian nose, Botox lips, slathered-on skin concealer/toner/etc. makeup, long dark hair and the aforementioned impossible Barbie body shape, including huge, round plastic breasts. 

New York Times: “George Clooney’s Broadway debut, 'Good Night, and Good Luck,' has been one of the sensations of the 2024-25 theater season, breaking box office records and drawing packed houses of audiences eager to see the popular movie star in a timely drama about the importance of an independent press. Now the play will become much more widely available: CNN is planning a live broadcast of the penultimate performance, on June 7 at 7 p.m. Eastern. The performance will be preceded and followed by coverage of, and discussion about, the show and the state of journalism.”

 

Contact Marie

Email Marie at constantweader@gmail.com

Wednesday
Sep082010

Of War and Peace, Here and There

Maureen Dowd writes about a controversy concerning Fort Stevens, a Washington, D. C., site where Lincoln stood, at some peril, to watch a Civil War battle. A local church wants to build a community center next door, but the Civil War Preservation Trust claims the church's building will "cast a shadow" on the historic site. A friend of mine, a frequent commenter on Times op-ed columns, wrote that not much could be said about Dowd's column, which is partially a memorial to her youth, lived near to Fort Stevens. The Constant Weader, as ever, rose to the challenge:

As the Shadow Turns

Is sanctifying yet another memorial to the Civil War really more important than helping needy people of today? Since the church's planned building only casts a shadow on Fort Stevens & does not actually encroach upon the land, how terrible is that? Lord knows Mr. Lincoln's war cast a dark shadow on the nation. Which is worse -- for a church to cast a shadow on a war memorial or a war to cast a shadow on a nation?

If Civil War monuments were established to remind people of how terrible a war among brothers is, they might be of value. Unfortunately, they are more about glorifying war. They have inspired men with too much time on their hands to get into costumes, arm themselves with paint guns & re-enact the glory days of war.

I've been to Washington, D.C. many times & have never stood at Fort Stevens to wonder at the spot where a tall, distracted President made a target of himself while checking on the progress of his disastrous war. Now that I know about Fort Stevens, I might enjoy a brief visit, another chance to shake my head at man's inability to settle disputes in rational ways. I hope when I get there the Emory Methodist Church center is up & running. I'll drop in & make a small donation in tribute to people who are doing something positive for the country.

Perhaps some of those Civil War buffs will do the same. It's time for folks to put away their uniforms & cast their lot with progress. The Civil War has been over for 145 years. It's shadow is far too long. 

British baritone Benjamin Luxon sings the original "Johnny, I Hardly Knew Ya." The song, with altered lyrics published in 1863, became "When Johnny Comes Marching Home," a rousing hit for both sides in the Civil War:


Meanwhile, Tom Friedman casts his shadow on the longest war -- the one in the Middle East. Friedman repurposes a 2002 conversation he had with then Prince, now King, Abdullah of Saudi Arabia, in which Tom & the Prince agreed on a peace plan which required the Israeli leader to come to Riyadh to "accept" a Saudi peace proposal. Friedman sees the "emotional" benefit of such a scenario.

The Constant Weader comments:

Ah, Tom has been to Riyadh to see the King. Now that Mr. Friedman & King Abdullah have come to an agreement on just how the peace process should proceed, it does seem important for the Tom Friedman Peace Initiative to go forward. And such a good idea! Any plan that requires the slightly proud Bibi Netanyahu to go hat-in-hand to Riyadh is bound to be a winner.

Since you & Abdullah have shared such pleasantries over your initiative, Mr. Friedman, why not call of Mr. Netanyahu & suggest it? You could get several more columns out of your personal negotiations with the Prime Minister. As for your proposed theatrical review in Riyadh, I don't know how "emotional" such a song & dance would be, but for overblown theatrics I'd give it high marks.

Or here's another idea. Why not let the peace process, as conceived, continue? There are already plenty of players at the table. I'm sure they'd all be happy to read any faxes King Abdullah sent their way.

There won't be much glory for Tom Friedman if the current scheme succeeds, so I suppose that makes the peace process seem a bit dull & "unemotional." But in the end, what's more important? (1) Middle East peace for the first time in the history of the world, or (2) Tom Friedman?

Friedman & I may not agree on the answer to that question.