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INAUGURATION 2029

Marie: I don't know why this video came up on my YouTube recommendations, but it did. I watched it on a large-ish teevee, and I found it fascinating. ~~~

 

Hubris. One would think that a married man smart enough to start up and operate his own tech company was also smart enough to know that you don't take your girlfriend to a public concert where the equipment includes a jumbotron -- unless you want to get caught on the big camera with your arms around said girlfriend. Ah, but for Andy Bryon, CEO of A company called Astronomer, and also maybe his wife, Wednesday was a night that will live in infamy. New York Times link. ~~~

Commencement ceremonies are joyous occasions, and Steve Carell made sure that was true this past weekend (mid-June) at Northwestern's commencement:

~~~ Carell's entire commencement speech was hilarious. The audio and video here isn't great, but I laughed till I cried.

CNN did a live telecast Saturday night (June 7) of the Broadway play "Good Night, and Good Luck," written by George Clooney and Grant Heslov, about legendary newsman Edward R. Murrow's effort to hold to account Sen. Joe McCarthy, "the junior senator from Wisconsin." Clooney plays Murrow. Here's Murrow himself with his famous take on McCarthy & McCarthyism, brief remarks that especially resonate today: ~~~

     ~~~ This article lists ways you still can watch the play. 

New York Times: “The New York Times Company has agreed to license its editorial content to Amazon for use in the tech giant’s artificial intelligence platforms, the company said on Thursday. The multiyear agreement 'will bring Times editorial content to a variety of Amazon customer experiences,' the news organization said in a statement. Besides news articles, the agreement encompasses material from NYT Cooking, The Times’s food and recipe site, and The Athletic, which focuses on sports. This is The Times’s first licensing arrangement with a focus on generative A.I. technology. In 2023, The Times sued OpenAI and its partner, Microsoft, for copyright infringement, accusing the tech companies of using millions of articles published by The Times to train automated chatbots without any kind of compensation. OpenAI and Microsoft have rejected those accusations.” ~~~

     ~~~ Marie: I have no idea what this means for "the Amazon customer experience." Does it mean that if I don't have a NYT subscription but do have Amazon Prime I can read NYT content? And where, exactly, would I find that content? I don't know. I don't know.

Washington Post reporters asked three AI image generators what a beautiful woman looks like. "The Post found that they steer users toward a startlingly narrow vision of attractiveness. Prompted to show a 'beautiful woman,' all three tools generated thin women, without exception.... Her body looks like Barbie — slim hips, impossible waist, round breasts.... Just 2 percent of the images showed visible signs of aging. More than a third of the images had medium skin tones. But only nine percent had dark skin tones. Asked to show 'normal women,' the tools produced images that remained overwhelmingly thin.... However bias originates, The Post’s analysis found that popular image tools struggle to render realistic images of women outside the Western ideal." ~~~

     ~~~ Marie: The reporters seem to think they are calling out the AI programs for being unrealistic. But there's a lot about the "beautiful women" images they miss. I find these omissions remarkably sexist. For one thing, the reporters seem to think AI is a magical "thing" that self-generates. It isn't. It's programmed. It's programmed by boys, many of them incels who have little or no experience or insights beyond comic books and Internet porn of how to gauge female "beauty." As a result, the AI-generated women look like cartoons; that is, a lot like an air-brushed photo of Kristi Noem: globs of every kind of dark eye makeup, Scandinavian nose, Botox lips, slathered-on skin concealer/toner/etc. makeup, long dark hair and the aforementioned impossible Barbie body shape, including huge, round plastic breasts. 

New York Times: “George Clooney’s Broadway debut, 'Good Night, and Good Luck,' has been one of the sensations of the 2024-25 theater season, breaking box office records and drawing packed houses of audiences eager to see the popular movie star in a timely drama about the importance of an independent press. Now the play will become much more widely available: CNN is planning a live broadcast of the penultimate performance, on June 7 at 7 p.m. Eastern. The performance will be preceded and followed by coverage of, and discussion about, the show and the state of journalism.”

 

Contact Marie

Email Marie at constantweader@gmail.com

Sunday
Jun122011

Off-Topic

Professor of Philosophy Costica Bradatan has an interesting essay in the New York Times "The Stone" on "philosophy as an art of dying." We're not talking batik here; Bradatan examines the famous death of a few famous philosophers, centering on the most famous of all -- Socrates. Bradatan posits, "Perhaps that to be a philosopher means more than just being ready to 'suffer' death, to accept it passively at some indefinite point in time; it may also require one to provoke his own death, to meet it somehow mid-way." Undeterred by the seriousness of the subject, I dashed off a comment, which at this writing has not been published. Here ya go:

Dying is just half of the job; the other half is weaving a good narrative of martyrdom and finding an audience for it.
-- Costica Bradatan

Quite right. Of course most people's favorite martyr-philosopher is the Jesus character of the gospels. The narrations are superb! I don't think there's any question but that the story of Jesus's death, particularly as told by the author of Mark, who wrote the first gospel (no, really, it wasn't Matthew!), is based in part on Plato's narration of Socrates' death. 

But I should say my favorite martyr-philosopher's death was that of the Roman Seneca (the Younger). Philosophers & theologians of the day were much enamored of the idea of the "noble death." In the Socratic tradition, Cynic and Stoic philosophers began to see political martyrdom as a sort of bona fide for philosophers.  Persecution and execution, they reasoned, were proofs that the victim had sought justice and was righteous to the end.  Persecution was a badge of honor.  Martyrdom became the equivalent of a Ph.D. in philosophy. Using this "logic," a person didn’t even have to be very smart or very thoughtful to become a philosopher. Seneca saw the athletes' and gladiators' suffering and deaths as moral triumphs: a "reward [that] is not a garland or palm or a trumpeter ... but rather virtue, steadfastness of soul, and a peace that is won for all time...."

 Seneca also saw brotherly love as an incentive for a noble death.  Here he is in De beneficiis [7.12]:

But my end of friendship is to have one dearer to me than myself, and for the saving of whose life I would cheerfully lay down my own....

If you think that sounds an awful lot like a saying by the subject of the later-written gospels, you'd be right. (See John 15:13.) Presuming Seneca wrote "Hercules at Oeta" (scholars debate the authorship), he also wrote a play which not only extolled the noble death but also hypothesized that a resurrection might ensue if the dying philosopher were noble enough.

So how did Seneca himself die? In 65 C.E., Seneca earned his badge of courage in a personal tragicomedy.  The Roman Emperor Nero, whom Seneca had taught and counseled, accused Seneca of conspiring to kill him. Nero ordered Seneca to commit suicide. Eager to oblige, Seneca first tried slitting his wrists, but that didn’t kill him. Then he drank hemlock a la Socrates. That didn’t work, either. He finally succumbed in what may have been the original accidental hot-tub death: He jumped into a hot pool in an attempt to make the blood from his slit wrists flow faster, but instead he suffocated from the hot steam rising from the pool.

Noble deaths really are not that good an idea. Or else Seneca needed a better narrator than I.